It’s
interesting because there is no technique or classes to be taught that would be
Bausch style. She has influenced the dance world in a different Modern
approach.
She created the
Tanztheater Wuppertal and she had an enormous impact in the German community in
Opera and Cinema. Bausch threads her knowledge of
dance, speech, and theatrical effects and music. But she is influenced not only
by her life but her dancers’ lives. In rehearsals, she finds a way to make her
dancers express, explore, and spill out their secrets. One of her biggest
influence is the surrealism and theatrical boundaries. Most influence that she
uses in her works and choreography is with the people she has trained with. Kurt
Jooss, who was a leader of dance during the German Expressionism Movement, was
a teacher at the Folkwang Schule in Essen, Germany while Bausch was a young
girl studying. Bausch was also fortunate to get a scholarship to attend
Julliard in New York and her teachers there, Jose Limon, Paul Taylor, Antony
Tudor, and Paul Sanasardo were her influences. One artist that she never worked
with but followed his development of “dance theater” was Rudolph von Laban. His
idea of performing influenced Pina Bausch and is used in all of her work. She
understood movement from these people and they have influenced her to be what she
was and what she made from it.